{"id":447,"date":"2005-11-15T05:53:04","date_gmt":"2005-11-15T05:53:04","guid":{"rendered":"http:\/\/www.fact.org\/reading\/?p=447"},"modified":"2012-02-27T14:23:31","modified_gmt":"2012-02-27T14:23:31","slug":"the-family-trade","status":"publish","type":"post","link":"https:\/\/www.fact.org\/reading\/?p=447","title":{"rendered":"The Family Trade"},"content":{"rendered":"<h3><em>The Family Trade<\/em> by Charles Stross<\/h3>\n<p>Everybody in the room has read at least a part of           <em>The Family Trade<\/em>, and everybody except one           person finished it. Several people had also read the           sequel, <em>The Hidden Family<\/em>, which is actually           just the second part of the same novel. A significant           chunk of time was spent debating why the American           publisher decided to split the novel into two parts,           whereas in Britain it was published as one book.           Several readers vented their anger at Tor, who &#8220;took an           axe and went down the middle.&#8221;<\/p>\n<p>Another big chunk of the discussion was spent comparing           <em>The Family Trade<\/em> with other world-walking SF and           fantasy books, such as Bulmer&#8217;s <em>The Diamond Contessa<\/em>,           or most notably Roger Zelazny&#8217;s Amber series, which           reportedly was an inspiration for Stross. Comparisons           with Amber were in Stross&#8217;s favor, because in Amber, to           quote a reader, &#8220;everybody can do any damn thing, and           it&#8217;s really<!--more--> chaotic;&#8221; whereas the world-crossing rules           in <em>The Family Trade<\/em> are more constrained,           therefore leading to more interesting situations.<\/p>\n<p>The ideogram that Miriam, the heroine, used for moving           from one parallel world to another, was compared to           other science-fictional and magical world-walking           devices, such as a spiral pattern in Andre Norton&#8217;s           books, a mosaic on the floor in the Magician series by           Feist, or an ability to see certain spots where it&#8217;s           possible to cross into a parallel world, as in <em>The           Diamond Contessa<\/em>.<\/p>\n<p>Readers also discussed the advantages of Miriam&#8217;s           situation versus those of other book characters that           were thrust into technologically backward worlds. Some           characters had crossed into other worlds with nothing           but clothes on their backs and expertise in their           heads. Miriam was lucky in that she had a chance to           acquire a laptop and vast stores of knowledge on CDs.           Readers also found it interesting that Stross chose a           protagonist who not an expert in survival techniques,           martial arts or weaponry &#8212; things that would be           ostensibly the most useful trying to survive in a           medieval world &#8212; but who is knowledgeable in economics           and understands the modern world.<\/p>\n<p>What will she make of the medieval society into which           she was forced? Will she be able to reform it? Some           readers were interested to see what Miriam&#8217;s ideas will           be on how to develop the trade between the two worlds           (ours and the parallel medieval world). Stross points           out in the book that there are traps built into the           history of business for the last 200 years, and Miriam           wants to avoid those traps. The idea of selling shares           to raise a lot of money to go in and industrialize the           medieval world real fast can have a lot of bad           consequences. Readers found themselves wanting to see           what Miriam does in that respect.<\/p>\n<p>I, personally, too am interested to see how Miriam will           go about revolutionizing the medieval society. I hope           that Charles Stross will do with this series what Neal           Stephenson said he was trying to do in the &#8220;Baroque           Cycle&#8221;, though, in my opinion, not very successfully:           to show how the pre-industrial world transitioned into           modernity; to show the birth of finance and commerce as           we know it today. I also hope that Charles Stross will           do it in a lot more entertaining and concise way than           Neal Stephenson. \ud83d\ude42 And so far he has done a good job           of that.<\/p>\n<p>As one reader pointed out, this setup &#8212; inserting a           person from an advanced civilization into a           technologically backward society and attempting to           reform it &#8212; contains an opportunity to explore a           question: is history determined more by great           personalities, or by impersonal, economical and social,           forces? If a particular reformer had not been born at a           particular age, would someone else had taken his\/her           place? Do socio-economic revolutions happen on their           own schedule, regardless of who leads them? One can           hope Stross will examine this question in the           subsequent books of this series.<\/p>\n<p>Everybody liked the heroine for several reasons. She           thinks fast: within 24 hours of her kidnapping she           bought a laptop and the CDs with the information she           needed, to give her a greater insight into her           situation and ideas on how to change it. She is smart           and capable; she refuses to play a victim&#8217;s role she is           pushed into; she does not allow herself to be           manipulated by the Clan.<\/p>\n<p>On the lighter side, several women in the group liked           that Miriam had a messy house, and even more that her           messiness made it more difficult for kidnappers to           abduct her.<\/p>\n<p>Several people got a kick out of the scene where Miriam           works the crowd at the royal party and she treats it           like a trade show, of which she had attended quite a           few in her &#8220;former&#8221; life as a technology journalist.           It&#8217;s a wonderful transposition of the set of skills she           has.<\/p>\n<p>The irony of discovering that being a medieval princess           is really overrated was not lost on anyone. &#8220;Gee, the           world I picked where to be a princess! It&#8217;s nowhere           near as good as being a middle class American&#8221;,           commented a reader. Indeed, the book leaves no romantic           illusions about a life of a royal woman in the Middle           Ages, showing how physically and mentally           uncomfortable, restrictive and stiffling her life was           compared to that of an average American woman of           today&#8230; Even a 21st century Saudi Arabian princess has           it better: while similarly powerless, she can at least           enjoy hot showers. \ud83d\ude42<\/p>\n<p>Some female readers were impressed that this book did           not contain what one of them called &#8220;icky romance.&#8221; It           is icky, she says, to read about a woman pining for a           guy who&#8217;s bad for her. Instead, Miriam just has wet           dreams. Instead of gooey romantic stuff, she fantasizes           about sex with Roland.<\/p>\n<p><em>The Family Trade<\/em> is definitely a crowd-pleasing           novel. It appeals to people of widely varying tastes in           fantasy and science fiction. Those group members who           could hardly get through Stross&#8217; Singularity books had           no difficulty reading <em>The Family Trade<\/em>. Those,           on the other hand, who enjoy hard SF, were not           dissatisfied either. After all, according to Stross,           this novel is only fantasy &#8220;for rather odd values of           fantasy.&#8221; It has something even for those who value the           science and technology aspect of SF. One such reader           was curious what does the knot ideogram (the           world-crossing aid) really look like, and how can it be           described from the knot theory perspective. &#8220;In knot           theory they draw drawings trying to represent more           dimensions. It would be interesting to try to draw this           knot and see if we disappear&#8221;, he said.<\/p>\n<p>However, having high standards for the science in SF,           he found Stross did not try to answer some questions in           sufficient depth. When you cross into a parallel world,           what do you take with you? For example, are you also           moving the air that&#8217;s in your body? It appears so,           judging from the fact that the clothes you are wearing           are transfered along with you; but what if you were           handcuffed to a wall? Could you go?<\/p>\n<p>The only criticism of the book voiced in the meeting &#8212;           or the only one I recall &#8212; was that in some places the           exact physical layout of the castle is critical to the           events in the book. Miriam develops a very detailed           mental map of objects and architectural features &#8212;           such as doors, stairs, etc. &#8212; in both parallel worlds,           because things like unsecured doors in the &#8220;other&#8221;           world may let an assassin enter the facilities and           cross over into her world. The castle layout has a life           or death significance to her. So she spends a lot of           effort mapping it out, and the reader, too, needs to           keep track of it closely in order to evaluate the           danger she is in. One of the readers found it tiresome.<\/p>\n<p>Other than that, most people found this book very           entertaining and were planning to read part two, if           they hadn&#8217;t already.<\/p>\n<p><em>&#8212; <a href=\"http:\/\/geekitude.com\/gl\/public_html\/\">Elze           Hamilton<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Family Trade by Charles Stross Everybody in the room has read at least a part of The Family Trade, and everybody except one person finished it. Several people had also read the sequel, The Hidden Family, which is actually just the second part of the same novel. A significant chunk of time was spent [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-447","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=447"}],"version-history":[{"count":3,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/447\/revisions"}],"predecessor-version":[{"id":638,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/447\/revisions\/638"}],"wp:attachment":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=447"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=447"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}