{"id":1105,"date":"2000-02-02T08:07:37","date_gmt":"2000-02-02T08:07:37","guid":{"rendered":"http:\/\/www.fact.org\/reading\/?p=1105"},"modified":"2012-04-25T08:09:16","modified_gmt":"2012-04-25T08:09:16","slug":"eric-s-nylund-interview","status":"publish","type":"post","link":"https:\/\/www.fact.org\/reading\/?p=1105","title":{"rendered":"Eric S. Nylund Interview"},"content":{"rendered":"<h2>Eric S. Nylund Interview<\/h2>\n<p><em>Eric S. Nylund is the author of <strong>Pawn&#8217;s       Dream<\/strong>, <strong>A Game of Universe<\/strong>, and <strong>Dry Water<\/strong>.       He is a graduate of the prestigious Clarion program for SF       writers, and he lives in Seattle. When he learned that our       group was going to discuss his recent novel <strong>Signal to       Noise<\/strong>, he graciously offered to answer our questions       about the book.<\/em><\/p>\n<p><strong>Reading Group:<\/strong> Was <strong><em>Signal to Noise<\/em><\/strong> your original title? Some of us think &#8220;Noise to Signal&#8221;         might have been more appropriate.<\/p>\n<p><strong>Eric S. Nylund:<\/strong> No, <strong><em>Signal to Noise<\/em><\/strong> was the original title. It refers to the signal to noise         ratio in electronics, a measure of how strong a signal         you are receiving<!--more--> or a measure of how much useful         information to useless information you are receiving.<\/p>\n<p><strong>RG:<\/strong> Much of this book deals with cryptography. Is         any of this from your personal background?<\/p>\n<p><strong>ESN:<\/strong> No, my background in physics and chemistry.<\/p>\n<p><strong>RG:<\/strong> A lot of your earlier work was marketed as         fantasy, but <strong><em>Signal to Noise<\/em><\/strong> is marketed as         SF. Did you consciously change genres, or did you just         write the book you wanted to write and let the publisher         worry about the marketing category?<\/p>\n<p><strong>ESN:<\/strong> I wrote what I wanted to write.<\/p>\n<p><strong>RG:<\/strong> What other authors have influenced your work?         Some of us felt your writing style was reminiscent of         Roger Zelazny and William Gibson.<\/p>\n<p><strong>ESN:<\/strong> Zelazny, yes. Gibson, no. Other authors that         influence me are Harlan Ellison and Tim Powers.<\/p>\n<p><strong>RG:<\/strong> While <strong><em>Signal to Noise<\/em><\/strong> is written         in third person, all the action is seen from the         viewpoint of the protagonist Jack Potter. Why didn&#8217;t you         just use first person?<\/p>\n<p><strong>ESN:<\/strong> Good question. Since the bubble technologies         allow the reader to peer into the inner mind of the         characters, I wanted the ability to take a step back and         look inside their bubble-revealed personalities. In first         person, we&#8217;d be looking inside the mind of Jack from his         own point of view. It&#8217;s one thing to be in first person         and have the character tell you what&#8217;s on his mind. I         thought it would be overwhelming to be in first person         and have the same character analyzing and interrupting         what he and others were directing seeing and experiencing         in his own mind.<\/p>\n<p><strong>RG:<\/strong> Much of the action in the book takes place on         an island called Santa Sierra, but it wasn&#8217;t clear to us         where it was located. Can you enlighten us?<\/p>\n<p><strong>ESN:<\/strong> Santa Sierra is a man-made island off the         coast of what used to be California. It&#8217;s located         approximately 20 miles west of where San Francisco used         to be.<\/p>\n<p><strong>RG:<\/strong> Several of us were unclear about a plot point.         On one page Jack Potter is stranded on the Moon with 10         hours of oxygen left, seemingly in a bad situation. We         turn the page and Jack is watching TV two weeks later,         with not much explanation about how he got out of the         jam. What happened?<\/p>\n<p><strong>ESN:<\/strong> Jack jumped to the moon with the supplies he         arranged to pick up from Mr. White &#8212; supplies that         included oxygen recylers and other equipment to get his         base running.<\/p>\n<p><strong>RG:<\/strong> Unusually for a novel written in the 90&#8217;s, as         far as we could tell every single character in         <strong><em>Signal to Noise<\/em><\/strong> smokes. Was this done to         establish atmosphere for your spy thriller plot, or did         you have another purpose?<\/p>\n<p><strong>ESN:<\/strong> A bit of exploration on my part. I wondered         what would happen if the tobacco companies lost all their         impending lawsuits? What if they no longer found their         business profitable? Would they abandon it? Or adapt? The         cigarettes in S2N are not the traditional paper and         tobacco ones, rather they are sophisticated &#8220;drug         delivery&#8221; systems &#8212; legal drugs to be sure, caffeine and         amphetamines and others. They still get people hooked,         they side have lethal side effects, but they are FDA         approved.<\/p>\n<p><strong>RG:<\/strong> Late in the novel when a war develops between         the USA and another country, Austin is one of two         American cities that gets nuked. Why did you single out         our city for this dubious distinction?<\/p>\n<p><strong>ESN:<\/strong> I see Austin as a technological and cultural         center in the future. I think it made a good target.<\/p>\n<p><strong>RG:<\/strong> What can you tell us about the sequel, <strong><em>A         Signal Shattered<\/em><\/strong>, that will get our appetites         whetted to buy and read it?<\/p>\n<p><strong>ESN:<\/strong> I don&#8217;t want to reveal too much, but lets         just say I really pull out all the stops on this one.         Hard to do, you may be thinking, after I killed nearly         the entire world population.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eric S. Nylund Interview Eric S. Nylund is the author of Pawn&#8217;s Dream, A Game of Universe, and Dry Water. He is a graduate of the prestigious Clarion program for SF writers, and he lives in Seattle. When he learned that our group was going to discuss his recent novel Signal to Noise, he graciously [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1105","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1105"}],"version-history":[{"count":2,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1105\/revisions"}],"predecessor-version":[{"id":1107,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1105\/revisions\/1107"}],"wp:attachment":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}