{"id":1064,"date":"2000-09-01T07:48:53","date_gmt":"2000-09-01T07:48:53","guid":{"rendered":"http:\/\/www.fact.org\/reading\/?p=1064"},"modified":"2012-04-25T07:49:56","modified_gmt":"2012-04-25T07:49:56","slug":"the-golden-compass","status":"publish","type":"post","link":"https:\/\/www.fact.org\/reading\/?p=1064","title":{"rendered":"The Golden Compass"},"content":{"rendered":"<h3><em>The Golden Compass<\/em> by Philip             Pullman<\/h3>\n<p>Nine people participated in this discussion, including             two first-time attendees. The subject of this             discussion, Pullman&#8217;s <em>The Golden Compass<\/em>, is the             first of a planned trilogy called &#8220;His Dark Materials&#8221;.             The setting of this book is a world vaguely like our             world in the present day, with some notable exceptions.             Politics have had different results over the past             hundred years or so, air travel is done by zeppelin and             hot air balloon, and there are secret societies of             witches and intelligent warrior bears. Additionally,             each human has a companion called a &#8220;daemon&#8221; that looks             like an animal, talks only to its designated human, and             houses the soul of its human. The story involves a             young girl, Lyra, who has been raised as an orphan but             discovers that her parents are still alive and on             opposite sides of a power struggle among secret             societies. Both sides want to kidnap Lyra for reasons             she does not understand, so she travels all over Europe             as a fugitive, trying to figure out what&#8217;s going on and             how to keep herself and her friends safe. She carries             with her a mysterious compass-shaped instrument, given             to her by a kindly Oxford professor, that supposedly is             very powerful if she can only figure out what it does             or how to operate it.<\/p>\n<p>We liked a lot about this book. Everyone thought the             society of bears was cool. Lyra is fully developed and             realistic, and we appreciated Pullman&#8217;s daring in<!--more--> making her neither nice nor likeable. The concept of             the daemons and its development as a major plot thread             led to a lot of philosophical discussions, which we             found reminded us of the work of C. S. Lewis. The             mythology of this world is rich and imaginative. We             thought the concept of the &#8220;golden compass&#8221; was a neat             idea.<\/p>\n<p>We did find a few problems. None of the characters             except Lyra is at all well developed or even logically             consistent. Lyra supposedly develops close friendships             with several characters during the book, especially one             of the intelligent bears, but we couldn&#8217;t see why. It             was almost as if the book&#8217;s outline said &#8220;Lyra             befriends bear&#8221;, but the author didn&#8217;t devote             sufficient effort to fleshing out this point. Lyra gets             kidnapped several times during the story, which got             tiresome and seemed like a lazy way for the author to             get her from one place to another to advance the plot.             The ending ties up little, basically just providing a             &#8220;to be continued&#8230;&#8221; message. Even though this was a             planned trilogy, we had expected more closure.<\/p>\n<p>Due to its young protagonist and its marketing toward             younger readers, <em>The Golden Compass<\/em> is getting a             lot of comparison to the Harry Potter books. Since             we&#8217;ve read the first volume in each series, we compared             them. The Harry Potter books are aimed at a 10-year-old             and up audience, which <em>The Golden Compass<\/em> is             targeted toward older readers &#8212; at least mid-teens.             The Potter books take place in familiar settings             (modern-day England and a wizards&#8217; school), while the             world of <em>The Golden Compass<\/em> is more original and             complicated, and much darker. The Potter books have a             well-developed cast of sympathetic characters, while             <em>The Golden Compass<\/em> has one bratty little girl             and a bunch of two-dimensional players. Finally, each             Potter book has a self-contained story, while <em>The             Golden Compass<\/em> is clearly just part one of a larger             whole. We found both series to be worthy of attention,             but obviously different readers will prefer one or the             other.<\/p>\n<p>In general we thought <em>The Golden Compass<\/em> was an             interesting but flawed book. Several of us were             intrigued enough by Pullman&#8217;s concepts that we bought             the sequel, <em>The Subtle Knife.<\/em><\/p>\n<p><em>&#8211;A. T. Campbell, III<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Golden Compass by Philip Pullman Nine people participated in this discussion, including two first-time attendees. The subject of this discussion, Pullman&#8217;s The Golden Compass, is the first of a planned trilogy called &#8220;His Dark Materials&#8221;. The setting of this book is a world vaguely like our world in the present day, with some notable [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1064","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1064"}],"version-history":[{"count":2,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1064\/revisions"}],"predecessor-version":[{"id":1066,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=\/wp\/v2\/posts\/1064\/revisions\/1066"}],"wp:attachment":[{"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fact.org\/reading\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}